THE American WESTERN

By Jeffrey-Baptiste Tarlofsky

LESSON 4 – Victims of Social Prejudice

How to follow this lesson

Lesson 4 consists of five sections. In each section

1. Watch the video lecture
2. Next read the transcript of the lecture
3. Then watch the film excerpt

Repeat for each section. For example, in section 2, watch video lecture part 2, next read the transcript for video lecture part 2, then watch film excerpt #2.

このレッスンの実行方法

レッスン4は5つのセクションから構成されています。各セッションでは、以下の順番で授業を受けてください。

1. ビデオレクチャー(動画)を見てください
2. レクチャーのテキストを読んでください。
3. 動画(Stagecoach excerpt #1(セクション1の場合))を見てください。

各セクションで上記のステップ(1)から(3)を繰り返してください。

Stagecoach (1939)

Directed by: John Ford
Produced by: Walter Wanger
Screen play by: Dudley Nichols
Based on: The Stage to Lordsburg 1937 by Ernest Haycox
Starring: John Wayne, Claire Trevor, Thomas Mitchell, John Carrdine, Andy Devine, George Bancroft
Music by: Richard Hageman
Wanger Productions: Distributed by United Artists
Running time: 96 minutes
Budget: $531,374
Box office: $1,103,757

LECTURE – part 1

Image #1 Hatfield and DOc shot separately

Transcript of Lecture

動画のテキスト

PART 1 – I concluded lecture number three by saying that Ringo is not the only person on the stagecoach with a secret or who is seeking something. Of course, everyone is on the stagecoach for some reason: Buck, because he is the driver, Curly, because he is a lawman who was looking for the escaped outlaw Ringo Kid, Mr. Peacock, because he is a traveling whiskey salesman, Lucy, in order to join her husband, Hatfield, in order to offer his protection to Lucy, Gatewood, because he is running away with the money from his own bank, Doc and Dallas, because they have been forced out of the town and, of course, Ringo, because he is wants revenge for the murder of his father and brother. John Ford places seven people inside the Stagecoach (with Buck and Curly on top to make nine), but it is the relationships between the seven inside the stagecoach, which make Stagecoach not only one of the greatest western films of all time, but one of the greatest studies of human social relationships Hollywood ever made.

Image #2 Gatewood and Lucy

Image #3 Lucy and Hatfield

Image #4 Mr. Peacock and Doc

Image #5 Buck and Curly

One of the earliest relationships to be established is between Doc and Hatfield. They dislike each other immediately and intensely. Look at image #1.I have looked through almost every frame of the film seeking a place where John Ford films Hatfield and Doc together as a pair and there is simply no such image.

Almost every other combination of characters is filmed together as a pair (look at images #2 – #5), but never Doc and Hatfield.

When Doc and Hatfield speak to each other Ford shoots one of them at a time and then does a reverse shot to the other man speaking. In the stagecoach they sit directly opposite from each other…regarding each other with hostility. Why is this?

The film is set in the year 1880, fifteen years after the end of the American Civil War. But the wounds of the war are still very fresh. Doc and Hatfield fought on opposite sides of the Civil War and still have strong feelings even fifteen years later.

It was the American Civil War which transformed the country more than any other single event. The war was fought over the issue of slavery. Slavery has been called America’s original sin and racism has been called America’s “Achilles heel” (or key weakness). It was only after the Civil War that America redirected its energies towards the West. Let me put it this way: from 1776 to 1865 the orientation of the nation was North-South. Everything was about the balance and tension between the two regions, which finally exploded into the most destructive war in the history of America. How destructive was it? The United States and Japan fought a deadly and massively destructive war which we all know about. Over 150,000 American soldiers died fighting the Japanese from 1941 to 1945. But Americans killed 650,000 other Americans from 1861 to 1865 in the U.S. Civil War.

But there is more. The war between America and Japan ended 75 years ago as I write this lecture and today America and Japan are close allies and even better than that, good friends. The American Civil War ended 155 years ago…but in many ways the North and the South are still enemies. I won’t try to sugar coat it. The North and South of the United States are like different countries. They eat different foods, listen to different music, have different religious beliefs, vote for different political parties and even speak different kinds of English. And we don’t like each other very much. There is really nothing like this in Japan. True, people from Tokyo and Osaka speak different kinds of Japanese, eat different food and have a few other differences. But how many people from each place actively distrust or dislike people from the other place?

In America after the Civil War the focus may have turned to the West, but the North and the South still regarded each other much the way Hatfield and Doc regard each other, with barely contained hostility. But notice that Ringo is sitting between the two of them. Now take a look at Excerpt #1.

LECTURE – part 2

Transcript of Lecture

動画のテキスト

Part 2 – Oops, Hatfield and Doc are at it again over Doc’s cigar. We are reminded again of how men are supposed to act around ladies. “A gentleman doesn’t smoke in the presence of a lady” says Hatfield. But Doc “ups the ante” (remember what that means? It is a term from gambling in which the stakes are raised) by saying he took a bullet out of a man’s back who had been shot by “a gentleman”. There were a few things that could never be excused or forgiven in the West and one of them was shooting a man in the back. By suggesting Hatfield might have done so, Doc is almost challenging him to a fight, but before it can start Ringo, our Westerner, tells Hatfield to “sit down”. Ringo is neither from the North or the South. The West represented a fresh start for both Northerners and Southerners and our Westerner in the film is telling the two sides to stop their petty bickering. But these two aren’t finished with each other by a long shot.

When they reach the first stop there is bad news. The soldiers, including Lucy’s husband, have gone out after the Apache and if the stagecoach goes on it will have no protection because the soldiers who have been with them so far have orders to return. Who decides whether the go forward or go back? Curly tells everyone they will decide by voting (the American democratic way) and he courteously asks Mrs. Mallory for her vote. But as he turns to Mr. Peacock for his vote, Ringo immediately reminds him to ask the “other lady” first. This shocks everyone and especially Dallas because…Dallas is no “lady”! As a prostitute, Dallas would figure very low on the social ladder, but Ringo apparently has no idea that she is a prostitute. Later we learn that he is just eighteen years old (although John Wayne was thirty-one at the time). He is too young and innocent to understand what she is…perhaps.

Ringo is exactly the type of westerner we might call “the cowboy gentleman”. The word “gentleman” came into use in the English language in England with The Reform Act 1832, which enabled the middle classes to come into their own. The word gentleman came into common use to signify not a distinction of noble blood, but a distinction of position, education and manners. But Americans, especially Westerners, took this idea further. All men were required to act like gentleman (that is, show good manners) when they were around “ladies”, and this included men who were obviously working class, like cowboys. To this day, you will still find that some of the most well-mannered people you will ever meet in America are these “cowboy gentlemen”. In the 1880s such a cowboy gentleman might shoot a man who touched his hat, but he would be certain to take his hat off to a lady. Now watch Except #2.

LECTURE – part 3

Transcript of Lecture

動画のテキスト

Part 3 – When everyone sits down to eat Ringo pulls out a chair for Lucy. This was another custom practiced by gentleman. A lady never seats herself, but waits for a gentleman to pull out her chair for her. All gentleman are required to stand when a lady approaches the table. Oh, there are lots of rules and it seems Ringo knows them all! But by asking Dallas to take a seat next to him he has placed her near Lucy. There is a brief exchange of looks and then Dallas lowers her eyes completely defeated. Mr. Hatfield, both clever and cruel, offers a solution by suggesting Lucy would be “cooler” by the window. Gatewood doesn’t even pretend he is moving for that reason.

The Japanese expression “murahachibu” comes to mind as I watch this scene. The well dressed people who have higher social status, the lady married to an army officer and the banker, move away from the prostitute. It is a perfect example of what Doc earlier described as “social prejudice”.

Ironically, Ringo assumes they are moving away from him because he is an outlaw! This is because he has no idea Dallas is a prostitute. As he begins to leave, she takes hold of his arm and begs him to stay. See Image #6.

Image #6 Social prejudice

LECTURE – part 4

Transcript of Lecture

動画のテキスト

Part 4 – Meanwhile Hatfield informs Mrs. Mallory that he fought under the command of her father in the Civil War. Now we understand why he has offered her his “protection”. Hatfield has not suddenly fallen in love with Lucy. That would be silly and at no time in this film is John Ford ever silly. Hatfield is charmed by Lucy and calls her a “great lady”, but he is not in love. To understand why he is on this journey and why he is taking care of her, imagine that he is like a ronin. He is a ronin because his former lord lost his battle and his castle was destroyed and all his samurai killed or became ronin. What would happen if such a ronin suddenly met the daughter of his former lord and saw that she needed protection? He would be honor bound to protect her. This is exactly the situation Hatfield is in. Lucy says she should remember his name, but she was really too young fifteen years ago to remember him well. She asks “you are Mr. Hatfield?” and he answers “That is what I am called”…but it is clearly not his real name!

Who is this man really? Why won’t he tell her his real name? He is a mystery.

Meanwhile, the same thing is happening with Ringo and Dallas. He thinks he remembers seeing her before, but she quickly denies this because it might lead to him figuring out what she is…and Dallas doesn’t want that, does she? Think about why before you go to excerpt #4.

LECTURE – part 5

Transcript of Lecture

動画のテキスト

Part 5 – The journey continues and Ford allows us to hear from Gatewood who complains bitterly about …well, everything, including the government sending officials to examine his books. Ford was using the Gatewood character to comment on the politics of his time and you will have a chance to read about that in your homework for this lesson. But what I want to continue to talk about is the relationship between Dallas and Lucy. Dallas can see that the journey is painful for Lucy and offers to let her put her head on her shoulder, only to have Lucy reject the offer. Dallas clearly made the offer out of kindness and it hurts her to have her offer rejected. Lucy asks for water and Hatfield gives it to her in his silver cup. When Lucy recognizes the crest (a crest is like a Japanese “mon”) on the silver cup as coming from Greenfield manner Hatfield claims he won the cup gambling, but Lucy isn’t fooled. Now she knows his real name.

Ford brilliantly brings the attention back to Ringo and Dallas by having Ringo once again demand Dallas be treated equally by asking “what about the other lady?” But Hatfield won’t let a prostitute drink from his silver cup. Dallas doesn’t care but takes a big healthy gulp of water. We can contrast her healthy drinking with Lucy’s delicate sips. In the West you are better off taking the healthy gulps rather than the delicate sips. However, Doc is taking “healthy gulps” of Mr. Peacock’s whiskey!

He becomes completely drunk.

When they reach the next stop on the stagecoach the news is again bad. This time they hear that the soldiers have fought the Apache and Lucy’s husband has been wounded. Again, Dallas tries to help Lucy and again she is rejected, but this time Lucy really does need help. She collapses and Hatfield immediately goes to her aid. But what Lucy needs is a doctor, not a bodyguard. Hatfield knows he cannot help her, he knows that she needs a doctor and he looks at Doc with disgust and says “A fine member of the medical profession! A drunken beast!” We will see if that is true in our next lesson.

Reading Homework

The timeless wickedness of ellsworth H. Gatewood